Associate Professor at Institute of Advanced Media Arts and Sciences (IAMAS). After working as Associate Fellow at the Art Documentation Office, Curatorial Division, The National Art Center, Tokyo, Imura assumed her current position in 2016. Ph.D in Art Studies from Kyoto City University of Arts in 2013. His research theme is “Art Criticism in the 1960s: from the perspective of TONO Yoshiaki” (doctoral dissertation). In recent years, she has been interested in the history of the relationship between art and design. Co-editor of Kyozo no Jidai (The Age of False Images): Art Critic by TONO Yoshiaki (Kawade Shobo Shinsha, 2013). She was involved in the exhibition “Art and printed matter from the 1960s to the 1970s” held at the National Museum of Modern Art, Tokyo in 2014. Among other projects she was in charge includes Gifu Ogaki Biennale 2019 “The Public Sphere Engendered by Media Technology” (IAMAS).

More from this writer

• How does information technology design the interaction between people?
  No. 1: Another internet is possible: reconsidering communication through the reproduction of FUJIHATA’s Light on the Net(2022年3月16日 更新)